ALEXANDRA SOSTMANN
“Her touch is crystal clear, almost sober, thoughtful and transparent, free of pathos, but full of poetry.” This is how the BR Klassik Bavarian broadcasting company describes the playing of the pianist Alexandra Sostmann. Critics and the public are likewise enthusiastic about the broad spectrum of her music selection, from Bach to Xiaoyong Chen. The soloist switches with the greatest of ease from one epoch to the next on the great concert stages of the world and fascinates her audience with her magnificent pianistic resources, as proven by her two cross-epochal solo albums “Bach & Contemporary Music” (2014) and “Bach, Byrd, Gibbons + Contemporary Music” (2020), whose bold selections and brilliant interpretation are praised by critics, and it has also been nominated for the German Record Critics Award.
The exceptional pianist follows another, no less exciting musical route in her solo album “Bach – Chopin” (2017), in which she manages in an intelligent and masterly fashion to stress the artistic affinity between these two so different composers. The publication has been highly praised by the press, not just for the ideas behind the selection of works, but also for Sostmann’s pianistic elegance and transparency. The fact that Lufthansa has adopted the solo album in its inflight programme speaks for itself.